Restringing the guitar three times every hour was a bitch. But Lindsey had lots of parts on the song, and each one sounded magnificent. The final results were pure perfection, except for one problem. Oh, man! So we recorded everything all over again the next day, dispensing with the changing of guitar strings — we had to lose all of that so we could get Lindsey singing in the right key.
I stopped what I was doing and I turned around and watched her. I was just amazed at how beautiful this song was. Rather than drown the melody with a full-band treatment, Caillat decided to try a stripped-down approach. I really wanted to set the mood! She nearly broke into tears. Then she started to play. So it was my job to sit with her and cut them down to three or four minutes.
And I loved the name. With vinyl only able to hold approximately 22 minutes per side, edits were a practical necessity. By the time the sessions wrapped in late , Caillat faced a problem of mathematics and aesthetics.
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We were concerned that we might have too slow an album. Buckingham finally broke the news when it was time to record the vocals. This new version earned the band a Grammy, and earned Nicks some serious gratification. So for it to come back around like this has really been, really special to me. While humor played a major role in the unorthodox sartorial choice, Fleetwood felt it was an appropriate nod to his musical lineage. The whole ethic of a lot of blues music is slightly suggestive, might I say.
And suitably, I walked out on stage with these two lavatory chains with these wooden balls hanging down, and after that it just stuck. They sequestered themselves in a windowless studio in Sausalito, California. In that tiny little room there were five people that were totally breaking up. As most of the members were contributing songs, the listener is allowed to hear the drama unfold much as in a play with its cast of characters and their dialogues flying back and forth.
Lindsey took the helm with arrangement and orchestration.
Fleetwood Mac 'Go Your Own Way'
Mick Fleetwood musically held the whole emotional stew together with his steady, driving rhythms. There were some production problems, the most harrowing of which was tape decay. Because they took so much time to record they even cancelled a sell-out tour , they were constantly overdubbing on the master tapes. The tapes began to decay and nothing sounded like it had when it was recorded.
It all would have been lost if as a fluke they had not run another 24 track machine when recording the basic tracks. Luckily, they had this back-up. Then they had to match up all the new parts with the old parts with no time code or midi. They had to do it like a DJ matching the snare and kick on one side of the headphones with the old parts on the other side. The band won a Grammy Award for the album and it is still one of the best-selling albums of all time with over 40 million sold worldwide.
It is an album that is loved by people from all walks of life as having three songwriters opens up the range of emotions and perspective. The themes are ever-present throughout the generations and the songs continue to sound as fresh today as when they were released nearly three decades ago. Return to Book Page. Preview — Making Rumours by Ken Caillat.
Steven Stiefel. Inside the making of one of the biggest-selling albums of all time: Fleetwood Mac's "Rumours"Fleetwood Mac's classic "Rumours" album topped the Billboard for thirty-one weeks and won the Album of the Year Grammy.
More recently, Rolling Stone named it the twenty-fifth greatest album of all time and the hit TV series Glee devoted an entire episode to songs from "Rum Inside the making of one of the biggest-selling albums of all time: Fleetwood Mac's "Rumours"Fleetwood Mac's classic "Rumours" album topped the Billboard for thirty-one weeks and won the Album of the Year Grammy.
More recently, Rolling Stone named it the twenty-fifth greatest album of all time and the hit TV series Glee devoted an entire episode to songs from "Rumours," introducing it to a new generation. Now, for the first time, Ken Caillat, the album's co-producer, tells the full story of what really went into making "Rumours"--from the endless partying and relationship dramas to the creative struggles to write and record "You Make Loving Fun," "Don't Stop," "Go Your Own Way," "The Chain," and other timeless tracks.
Tells the fascinating, behind-the-music story of the making of Fleetwood Mac's "Rumours," written by the producer who saw it all happen Filled with new and surprising details, such as Stevie Nicks and Lindsey Buckingham's screaming match while recording "You Make Loving Fun," how the band coped with the pressures of increasing success, how the master tape nearly disintegrated, and the incredible attention paid to even the tiniest elements of songs, from Lindsey playing a chair to Mick breaking glass Includes eighty black-and-white photographs Get A Copy.
Hardcover , pages. More Details Other Editions Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Making Rumours , please sign up.
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Lists with This Book. Community Reviews. Showing Rating details. More filters. Sort order. Feb 11, Belinda rated it did not like it Shelves: non-fiction-music. That's my first thought. I have gone through several stages of thought while reading this book and I really had to take a breath before writing this review. First just to be honest, the technical aspect of the book is quite interesting--obviously the author has talent as an engineer.
Having said that, Mama's got to go off.
Rumours (album) - Wikipedia
What a balloon headed creep. He can't decide if he wants to take credit for the success of an album that he had no hand in writing or performing or being fals Sigh. He can't decide if he wants to take credit for the success of an album that he had no hand in writing or performing or being falsely modest as if he wants the reader to think he deserves so much credit.
I'd say the Grammy he won and the kind decision of the band to give him a producer credit is probably credit enough. I started out liking "Ken" and the book. He loves his doggy famously used on the cover of Tusk, biting his shoe and he seems nice enough at the beginning.
Then the creep factor comes into play-- constant little passive aggressive digs at Stevie Nicks of all people. A lot of sexism-- he and the "boys" are just so happy when the "girls" are not in the studio so they can spread Playboys around and do boy things??? Stevie is not as important or interesting because she does not play an instrument to hitting on and sleeping with multiple women at the same time "it's the seventies".
'Rumours': The Greatest Breakup(s) Album
It's like he wants to tell everyone about the coke and the sex and the violence but not take any of the blame for anything, though he participates in and even supplies the band with coke through a friend. He hits on every attractive female he meets and yet acts like he's a poor little puppy just looking for a nice girl. His digs at the women include him mentioning that his cute but ordinary looking girlfriend was not warmly received by Stevie Nicks and Christine McVie because she's a "looker" and maybe they are jealous --oh yes, I am sure these amazingly talented women are jealous of your hanger on girlfriend.
It never stops. The worst part is that he does not even own it--he writes like "heeeyyy I'm a nice guy" There is constant emphasis on all the ways he "saved" this brilliant album--I am sure his engineering and recording skills were good--Fleetwood hired him to do more albums with him that was not good enough--he bitches because he was not called back in to work on their reunion work and then passes his bitterness off as he was just bummed for his friend and co-producer because he needed the work.
In one breath he praises the band and in the other he damns them--it's so distracting and obnoxious.
The final straw is when he says that Stevie Nicks, was pissed off that his dog was on the cover of Tusk when it should have been her and that she put a hex on his dog and the dog died 4 years later--it was a slow hex I guess and she told him she was glad. I would say skip this book and read Mick Fleetwood's book or even better just listen to the amazing album and remember how many times these songs have been performed live with great beauty and completely without his so called in put.
May 08, Stephen Power rated it it was amazing. I have to state up front that I edited this book, which, of course, totally biases my opinion.
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Plus when I'm editing I'm not reading for enjoyment so much as reading for construction, just as it's tough to appreciate the aesthetics of a good stone wall when you're building it. So let me say what I love best about the book: the technical details of recording. I was especially interested in why there are various edits of a song and how a song is actually put together. I was of a mind that it was b I have to state up front that I edited this book, which, of course, totally biases my opinion.
I was of a mind that it was better to risk going too far in this regard than not going far enough. For instance, at one point, Ken briefly mentions the certain sound a particular piece of equipment gives, and I bet 99 readers out of a won't have any idea what that means besides it sounding cool , but that 1 person, he's going to go, "Oooohhh. We were fortunate to be able to use an alternate shot from the session that resulted in the actual cover. And just like the image on the album cover, we had to reverse ours. Mar 10, Hannah rated it liked it Shelves: non-fiction , reads.
I found him quite full of himself in this narrative. Hey Ken, I don't care who you slept with or how beautiful they were. View all 4 comments. Apr 22, Kelly rated it it was amazing. Ken's insider perspective on the making of the greatest rock album of all time is both engrossing and stunning, beautiful and dangerous.
Ken's honesty and genius are clear, and Making Rumours provides a fascinating insider's view on the world that was Mick, John, Chris, Lindsey, and of course, Stevie Nicks, during the making of one of the most tumultuous albums of all time. The love, the lies, the fights, and the heartbreak- Ken lays it all bare for the reader, and even the most well versed Fleet Ken's insider perspective on the making of the greatest rock album of all time is both engrossing and stunning, beautiful and dangerous.
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